Wednesday, April 15, 2009

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10 - Lacrimosa" Elodia "


The Gothic genre as a contemporary music style escapes in many cases any attempt to pigeonhole. Being subject to conventions so weak and ambivalent that create, in many cases, more confusion than certainty when outline style.
The roots of the term "Gothic" back to an architectural movement that began in the twelfth century, ended in the sixteenth, and appreciated in the nineteenth, which was characterized by the breakdown of regular and geometric forms, as well rip the idea of \u200b\u200bPlatonic idealism and the birth of the belief that the senses are necessary to reveal the nature of things, true source of knowledge.
Returning to the music, the movement is brewing in the late 70's in England, thanks to the Post Punk, takes place in the 80's because of the Gothic Rock, New Wave, and lyricists who at that time raided issues such as darkness and depression. 90's arrived this cocktail gave birth to countless bands with different characteristics, be musical, aesthetic and / or cultural.
However, this movement germinate a band again destabilize the balance that was hanging on. The culprit: a man named Tilo Wolff Lacrimosa project operator and is currently supported by only one permanent member, the beautiful Anne Nurmi.
was in 1991 when Tilo even without their "better half", he released his first album in LP form under the title of "Angst", from there the band began a long road to climb, which reaches its peak in the year 1999, when they released their sixth studio album, entitled "Elodia".
The board consists of eight tracks plus a bonus, this number is relative depending on the source of the issue. Divided into three acts ("akts"), the first of these describes a love that overwhelms slowly, the second describes the act of separation from it, while the third begins with a requiem, ending on a hopeful note.
The word "act" is associated almost naturally to opera or classical music pieces, well, there we jump to Olympus Lime. The play is a rock opera and all that that implies. Starting with "Am Ende der Stille" we have a genuine piece of classical music which is intermittently accompanied by particular Tilo's voice, who with his German proposal rises further, following the hit "Alleine zu Zweite" The work raises a huge thanks to the duet flight Tilo-Anne, who discharged all his clear power. Added to this are more than enough moments of electrical excitation of dye in contraposition with other orchestral everything in perspective. Thus we can describe one of the most beautiful songs like: "Halt Mich" denotes their strong classical overtones, causing the battery and the accompanying guitars and a rhythmic voice that much resembles a waltz. "The Turning Point" is the only topic in English and sounds like freshness, beauty, thanks to the beautiful voice of Anne, "Ich Verlassen Heut 'Dein Herz "is a pretentious piece down in the record industry predecessors as" Stille ", where the guitar returns to take a leading role when it comes to chart the course of the song. With" Dich zu Toten Feel Mir Schwer "retake the path classical style" Halt Mich ", with greater power in the vocals and guitars, plus epic moments in addition to the issue becoming the most versatile and heavy plate. With" Sanctus "and fourteen minutes we see how far the imagination and intellect of Lime in the service of music. "Am Ende Stehen Wir Zwei" takes us on the cutting delicate melancholic melodies, which deplete my words, leaving only reference this graceful piece. Finally, "Heine Welt" takes us away from the plate measured way paving the way for what would be another milestone in style: "Fassade" album of 2001.
Published by the label Hall of Sermon, owned by the same Lime, the board has the support of the London Symphony Orchestra and Choir Ensemble Rosenberg, hence explains part of the work so distinctive touch. It is clear that all the compositions, arrangements and production were given by Mr. Tilo Wolff, and this achievement makes it undoubtedly a scholar. Lacrimosa
has left an indelible mark through their creative and complex musical structures, a high percentage of very good songs per disc, and above all he was able to provide the Gothic Metal a registered trademark that hardly anyone can overcome.

commented: José María Aicardo to oxide.